Museum, photographic reproductions, and the digital media


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From the reading of The Museum Idea and Interfaces to Art that traces back the photographic reproductions and museum as an interface, to the reading that talks about the current prosperity of digital media and its influence toward art interfaces, I gained more understanding about how art and different forms of cultural expressions in different stage of time produced interfaces.

In the first article, the role of photographic in the given context of mass reproductive photography and the looming war has driven concern that how could “photographic reproductions promote democratic principles, while also maintaining an awareness of ideological forces that can regulate what gets represented.” The idea that different art form gives the understanding of art interfaces is interesting, the article mentioned that photographic reproduction that transmits the art history interfaced to the meaning system from prints, books to the museum and to the digital world of Google Art Project.

Museum as the mediator and interface that display the artwork with its own concept and meaning resembled. The idea that museum without walls is interesting as it suggested there is no boundary in the art and museum functioned as the transmitting place for the artworks to be displayed and deliver a meaningful message to the public. For the Morse painting of Gallery of the Louvre, he transmitted his idea of giving the knowledge of European art tradition to the American audience. In this way, “the painting is a meta-painting, a painting about paintings, an interface to the collection represented. ”

As we move from the past to the present, the advancement of technology enables the artworks to be displayed in various formats and places that achieve immediacy, interactive, transparent and remediation. While the digitization of museum collections, artworks and the history of art is presented, how does it change the function of the museum itself and the artworks? The article mentioned the Artificial Intelligence which is the technology that is popular right now, the immediate realistic experience that this new technology has could be created the illusions of things are real or not. As related to the art world, the new technology like AI created a new interface for the artworks to be presented in advanced and better user experience to learn about art, yet the effect of the digital interactive media products can also pose questions about understanding the art. I think this is the main concern that is risen in today’s society. Where we are creating more advanced technology to minimize the distance between people and the artworks but simultaneously enlarge the real meaning of appreciation to the art world.

 

Irvine, Martin. Malraux and the Musée Imaginaire: (Meta)Mediation, Representation, and Mediating Institutions.

Jay David Bolter and Richard Grusin, Remediation: Understanding New Media. Cambridge, MA: The MIT Press, 2000. Excerpts from the Introduction and Chapter 1.